ALEJANDRA MARROQUÍN
Today, we are talking with a.corot, an artist whose work captures the essence of everyday life and turns it into something extraordinary. This adopted Madrileña, through her brushes, invites us to see the world from a playful perspective marked by nature, spontaneity, and, of course, her dearest memories.
We’ve teamed up with her this season for a unique photoshoot. The most iconic elements of her still-life art – such as lobsters, gildas, and other details – come to life and turn into singular accessories for looks specially designed for the occasion. A perfect fusion of fashion and art, celebrating her creative vision.
ARTE, NATURALEZA Y ESTILO PERSONAL
Hi Alejandra! We’d love to get to know you better. Can you tell us a little bit about yourself and how your journey in the art world started?
When my sister and I were younger, we were going every day to a house in the countryside of a small town in Alicante with my grandfather. There, we used to work and play with animals and the land. I remember that, years after, when I started painting, I felt the same happiness. For me, nature, spontaneity, painting, and intimacy perfectly connect, and I find all of that in still lifes. I place a lot of importance on ordinary things and how from the common we can arrive at the extraordinary. Painting makes me happy, and that’s why I paint every day. From that moment until today.
If you had to describe your work in three words, what would they be?
How difficult! Hahaha. I’d say close, fun and autobiographical. My work is full of meaning, and even though I consider myself a shy person, I’ll always be willing to share what’s behind it.
Where do you find inspiration and what is your creative process like?
There are times when I feel lost, not knowing what to paint. But when that happens, I come back to the root of why I started painting. One day in the countryside, a meal with Nacho, or a celebration at my grandmother’s house. And that applies to everything in life.
You’re part of “Espacio Espositivo”. What is this project about, and what makes it interesting?
The Espositivo academy is, I can say that with total certainty, what everybody wants in their business and life. Admiration for Desi, the founder, the good energy that you breathe there, and working of what you love.
Espósito was born many years ago in Madrid as a painting academy for children (where I teach) and for adults. Moreover, it offers a coworking space for residents and monthly courses in ceramics, textile painting, and more.
The team is es invaluable, both personally and profesionnally; Tuchi, Blanca y Ana…I share great moments with them, both good and bad. In these moments, I’ve been there, Desi opened a beer for me, and we toasted, remebering that sometimes you must laugh about yourself.
Can you recommend any hidden gems of authentic Madrid that only the locals know?
A while ago, I used to invest much more in fashion, but now all my savings go into painting supplies and film rolls for cameras, and I love it! I consume less, but I now look for higher-quality pieces.
Hahaha! Well, you’d be surprised to know that I’m not from Madrid, I’m from Alicante. Although I’ve lived here for six years, I must admit that I miss the sea a lot, but Madrid has given me wonderful years, and the people are amazing. My favorite spots are: the café at the Instituto Francés (it has a hidden patio in the café that not many people know), Bar Trafalgar (I designed their coasters a year ago and they have an incredible team) and finally, taking a walk through Recoletos, passing by the Prado until arriving at los Jerónimos.
Let’s talk about Fashion: how do you relate to it? What are the key pieces that best define your style?
How would you define INDI&COLD’s style? And what do you like the most about the SS25 collection?
For me, INDI&COLD is that go-to brand when you need high-quality wardrobe staples. What I love the most about this collection is the versatility of the designs, it feels like all their looks can be worn for a comfortable stroll around the city or for a Friday night dinner.
And to wrap up, what’s your ideal "comfort look" for a day in the studio?
People always tell me that I dress too well for painting, but I think part of painting every day is to accept that your clothes are going to get stained with paint, and I no longer fight against that. So, I dress in a way that makes me feel pretty. Part of working alone gives you that little luxury. Anything could happen to me, like a flowerpot falling on my head, or being hit by a meteorite. But in any case, I’ll be in ballet flats and a great outfit: a scarf around my neck, a white shirt, a vest, and a yellow pair of pants or something in an uncommon color.
